Variation is key. I often use a recipe from Life Magazine picture editors for building a story narrative. I look for: over-all shots or scene-setters, interaction, action, portraits, details, medium shots and of course the signature image. Having this list in my head helps me start photographing a story that sometimes isn’t visually apparent until you get into it. This is great when you’re in a crowded or busy place. — Heather Faulkner
Become one with the camera
Push the button regardless of the outcome so the camera becomes part of your hand. — Dean Saffron
Dean Saffron is a photojournalist and an ABC Open superstar. His video The Spokesman, has had over 170,000 views. Woah!
Hold your camera properly
You might not know it, but there is a right way and a wrong way to hold a DSLR camera. The correct way is to support the lens by cupping your hand underneath it. This is usually done with the left hand, with your right hand gripping the body of the camera. This helps to prevent camera shake. If you are gripping your camera with your hands on either side of the camera body, there is nothing supporting the lens, and you might end up with blurry photos. To get an even stabler stance, tuck your elbows into the side of your body.